working on summer project sources and best practices for helping students with analysis assignments

In consideration of cultural rhetorics, it is useful to consider how styles of argument varies among diverse countries and cultures.

A website associated with the University of Minnesota, Writing for College.org offers a chart to explain some differences.

Four Culturally Different Styles for Arguing

A North American
(direct thesis)

          We should learn the ways of others.  First, this is true simply because we can gain much knowledge from others.  Second, this is true because we then can learn to interact better with others.  Third, this is true because the knowledge and friendship we gain can help us better understand and appreciate cultures beyond us.  The following paper will prove each of these statements, step by step.

A Continental European
(analysis of an argument to determine its measure of truth)

          Is it good to learn the ways of different types of people?  First, what does “good” mean? We must decide whether “good” is ethical, practical, or spiritual.  Having done that, we always must answer the question of whether “ways of people” implies everything others do, or only those patterns which are particular to those “types” of human beings.  Having settled that question, we then might want to consider how or why we might observe others so that we can learn from them.  Even if we skip the issue of observation, we still are left with the question of whether there always is learning from all people, or only some learning from some people.  The following paper will answer all of these questions so that we can arrive at a somewhat reasonable answer to the initial question.

An Asian
(factual proofs that develop into a tentative opinion)

          It is a fact that like some mammals and even some insects, humans organize themselves in groups.  Such groups may be composed of pairs or of larger groups.  All such groups interact with each other in some way.  Such interaction is termed “communication.”  Mammals, at least, and perhaps some insects, too, appear to learn from such communication.  “Learning” occurs when an individual appears to pick up an ability or insight, one previously unknown to it, from interaction with another individual.  Such learning can, of course, be either good or bad, whether in insects, mammals, or humans.  However, some such learning seems to be necessary, especially in the rearing of a newborn individual.  Such learning improves the individual’s odds of surviving and, often, the group’s.  Therefore, it is arguable that some learning, at least, of the ways of others is good.  This paper will show proof of each of these factual steps.

A Traditional Native American Indian
(story example)

          Trickster Rabbit one day invited two friends to dinner.  White Bear came from the west, reared up on his hind legs, and growled.  From the north came Blue Cougar, who snarled and roared. Trickster Rabbit welcomed each, and to each he taught his silly Trickster dance, and thus each the west and north directions of the compass learned to play tricks with the wind and triumph over everything using humor. Let me tell you this story now….

 

https://sites.vmi.edu/drakemp/2016/07/11/working-summer-project-sources-and-best-practices-for-helping-students-with-analysis-assignments/

In my work as a college writing instructor and writing center consultant, I often encounter students from regions of the Eastern hemisphere who write in the manner described above. My tendency is to correct them because I am not sure whether other instructors will find their approach acceptable for North American college writing. Otherwise, I would say that it works just fine. I counsel students to find out what works for each instructor, to avoid the one approach is correct type of thinking.

Another consideration is where the student is in cognitive development. The following excerpt from the same site referenced above highlights the view of some students that the contents of a reading selection is sufficient. What is there to discuss or analyze?

I recall a time near the end of high school when a friend decided that three of us were going to discuss one of the great works of Western culture, Plato’s first three Dialogues, over a meal on the town.  The three of us together had never gone to an expensive restaurant.  In fact, in our small-town decades ago, just the idea of three guys (instead of a guy and a girl) having dinner together in an expensive restaurant was pretty unusual.  So, we read our Dialogues.  And then, to avoid being seen by our friends, we went to dinner in small city fifty miles away.  No one knew us.  The guy who wanted to have the discussion, David, started talking and inviting our ideas.  Mike, the second guy, participated somewhat, and they talked back and forth for awhile.  But I didn’t say much because I thought the point of the Dialogues was pretty obvious: Socrates died for his ideals, and those who controlled his society were wrong to kill him.  Period.  When I said as much, David kind of shook his head and said, somewhat lamely, “But we’re supposed to discuss it.”  At the time I just didn’t get it, even though I had gone through some tremendous intellectual changes already in the previous three years–from fervent fundamentalist Christian to ardent Ayn Rand young Republican and agnostic, and then to existential leap-of-faith liberal and believer in “humanity.”  ( underline mine) https://sites.vmi.edu/drakemp/2016/07/11/working-summer-project-sources-and-best-practices-for-helping-students-with-analysis-assignments/

As students  move beyond concrete ways of thinking, they become able to tackle thinking and writing in more sophisticated ways. It is important to realize how foreign, difficult, and perhaps even silly this may seem for some. The instructor must provide endless bridges to assist students in developing thinking skills.

Here is a document compiled by Richard Jewell of Inver Hills Community College in Minnesota, which provide some views into college student writing development.

WriterStages-Bartholomae,Bloom,Carroll from Richard jewell

The page where I found it is https://sites.vmi.edu/drakemp/2016/07/11/working-summer-project-sources-and-best-practices-for-helping-students-with-analysis-assignments/

 

Summer Project Thinking- VMI Writing Center

Many college instructors know that when they assign an analysis, what students often begin with is some version of, “The story was about…” This happens because that is what they have been taught to do and that is how they are tested. Many students as well as adults read only to follow the narrative. When students encounter an assignment that requires analysis they automatically begin to retell the content of the reading selection or the case of science or social science courses retelling the steps of an experiment or reciting a theory. They may even use quotations from the text to show that they indeed read it; however, they completely miss the mark and head toward summary or evaluation.  In many essays I see sentences similar to “The author did a good job when he …” Sometimes they will even tell me that their professor told them to do that, which is highly unlikely.

Early during Fall Semester 2015, a number of students came to the writing center with an assignment which involved interpretation of Dance of the Tiger, a short novel, by paleontologist Björn Kurtén that deals with the interaction between Neanderthals and Cro-Magnons. Kurtén’s premise is that Neanderthals and ancestors of modern Homo sapiens occupied same areas in the same time in Europe has been confirmed by fossil evidence. The author asserts that the novel is not intended to be theoretical; instead, it is an imaginative description of a possible scenario that might have taken place. Students invariably retold the story often quite accurately, with character names and places: however, they neglected to dig very deeply into the possibilities from the questions on the assignment prompt. I also read evaluation of the author’s writing and “theoretical accuracy”.  Addressing theoretical accuracy could have been a possibility but would have needed other research to contrast stereotypical views and actual findings. No one could answer the questions on my first flowchart; they could only relate narrative details. I daresay a few students were annoyed by my specific questions and suggestions that they need to read more deeply in order to address the assignment. (An interesting literary Criticism Can Be Found In  “Adaptationist Criteria of Literary Value Assessing Kurtén’s  Dance of the Tiger, Auel’s  The Clan of the Cave Bear, and Golding’s The Inheritors FOUND at http://www.academia.edu/3637874/Adaptationist_Criteria_of_Literary_Value_Assessing_Kurt%C3%A9n_s_Dance_of_the_Tiger_Auel_s_The_Clan_of_the_Cave_Bear_and_Golding_s_The_Inheritors

My views are not intended to point out deficiencies in the students, but to indicate where their staring points are. The types of writing and discussion they have previously experienced did not include the kinds of thinking and writing that we are asking for. Additionally, their family and cultural environment may not have required or allowed conversations that required critical thinking. Because my teaching experience has largely been in rural and sometimes culturally deprived regions, I have encountered many students who lack experience in anything more than rudimentary functional vocabulary. As a K-12 teacher and as a college instructor I have learned over the years to create bridges between academic, experiential, and informal demands. The term used today for recognizing the different ways that people communicate is called cultural rhetoric. The requirements and characteristics of cultural spoken rhetoric of people from a farm community are vastly different from the middle class assumptions for communication in college.

Wordiness

Tonight while I was working with students who were writing a book review for history class, I addressed wordiness.

Each student said he was having trouble expressing what he was trying to say. In essence, each was trying to talk around the idea in order to figure out what to say.

That is fine for writing drafts. We have to write down our thoughts in order to work through some ideas.

I made a handout. It’s simple and to the point. Click on the link to see it   Help for wordiness.

At one college where I worked the Provost enjoyed beginning the meeting with a tongue in cheek wordy announcement. Trying to maintain a straight face, he opened meetings with foolishness such as “The internal structure of linguistic transparency does not undermine the politics of representational familiarity”.

The Calvin and Hobbes cartoon below speaks for itself.

Click on it for a clearer view.

wordiness-calvin-and-hobbes

HOW TO HELP STUDENTS REVISE A DRAFT WHEN TOO MUCH SOURCE MATERIAL HAS BEEN COPIED.

As a writing tutor I frequently encounter students who think copying source material and switching words around or inserting a few of their own is the easy way to get a written assignment done.

One student I worked with this semester tended to collect several sources and copy the words of serval authors directly by connecting them with words of her own here and there. First, that qualifies as plagiarism, second it shows no evidence of thought, and third, the draft is often poorly organized or makes little sense. Her common response was that she cited the sources.

Another student has a habit of following a chapter or other reading selection section by section in order, without demonstrating any understanding of the reading selection.

When I have worked with such students a few times, I come to expect spending most of the tutoring session asking for clarification of such a document. They frequently come to the writing center, because they do not get good grades on this kind of work.

Too often, when I ask for verbalization of a BIG IDEA, CLAIM, or THESIS STATEMENT, students are unable to do it. They may not have read the material at all, attempted to skim it, looked it up on Cliff Notes or Spark Notes or worse “watched the movie”. Sometimes students will listen to an audiobook, which may work for comprehension, but they find it difficult to refer to parts of the text and cite page numbers. Using an audiobook makes it difficult to refer to passages for clarification or quoting directly.

These students and many others like them need to gain a basic understanding of why instructors assignment written work.

I often explain to students that the purpose of the writing assignment they are working on is to

  • demonstrate comprehension of text material
  • develop and demonstrate understanding of a particular topic or problem
  • show evidence of thought by expressing the assignment ideas in writing
  • let the professor evaluate how well you understood and/or how well you write

I emphasize that written assignments are an opportunity to learn and grow, rather than something to merely complete and be done with it. Needless to say, this often may not sink in!

I refer to a commonly stated rule for the amount of borrowed material that should appear in a written assignment.

Only about 10% of the final copy should consist of directly quoted material.

 

Two websites with comprehensive advice for avoiding the problems mentioned here are:

“Nine Things You Should Already Know About PLAGIARISM”

http://isites.harvard.edu/icb/icb.do?keyword=k70847&pageid=icb.page342054

“Quoting, Paraphrasing, and Summarizing”

https://owl.english.purdue.edu/owl/owlprint/563/

 

The OWL Purdue handout would be an excellent way to examination what plagiarism is and examine differences among quotations, paraphrases, and summaries. It provides several examples of summary, appropriate paraphrasing, and incorporating quoted material. The tutor could print the handout for the student and go over it section by section OR that can be done viewing the handout on the screen.

writing center banner

Below are two sites that have examples of improperly used paraphrasing.

  • “Paraphrasing Without Plagiarizing”

https://www.douglascollege.ca/~/media/0400EA745B254FC4B879D3740B65B825.ashx?la=en

  • “How to recognize plagiarism”

https://www.indiana.edu/~istd/example1paraphrasing.html

Helping students plan and write a rhetorical analysis

Part 2

In the previous post I wrote about close reading and extracting meaning from the text selection. Once students have a grasp of those skills, they can begin to analyze a text. Some may balk, but the instructor or tutor has to keep asking questions.

What to ask to help a student begin analyses:

  1. First, if there is an assignment prompt, the student must understand what is being asked. Discuss that.
  2. Ask the student, “What is the biggest idea you encountered in the reading selection?”.
  3. Other questions that follow can be along the lines of
  • What is your emotional response to the text? Explain.
  • What is your intellectual response to the text? Explain.
  • What are your beliefs, values, and experiences that can help you support your responses?
  • Were there particular parts of the text that you responded to?
  • What do you think the author’s purpose was? How can you tell?
  • Who do you think the author’s intended audience was? What clues support your view?
  • What is the genre of the reading selection? Does it overlap with any other genres? Can you point to particular place in the text to support your answer?
Prompt the student(s) to talk about the text selection. Jot notes on scratch paper or on the board.

It may help to summarize, by saying something such as, “Now that we have talked about the reading selection and the assignment prompt and identified these ideas (point out three identified concepts), tell me what your thoughts are for writing”.

At this point the instructor or tutor may need to practice extended wait time since many students will sit there hoping you will tell them what to do or say. Be patient or suggest a break and reconvene later.

I have said, “In the next session you are going to do all the talking”.

To refresh your memory on the concept of wait time, check out this internet resource which includes references:

http://www.ericdigests.org/1995-1/think.htm

Helping students plan and write a rhetorical analysis

Part 1 READING FOR UNDERSTANDING

Many college students, unless they have received intensive instruction and feedback on writing analyses, tend to simply retell the content/story or say they liked or agreed with it or not. They do not know what it means to analyze. Some say they do not feel qualified to analyze a professional’s work.

One of the biggest problems in learning to analyze is that students have not read the material more than once. Even if they read it one time, it was only a surface reading or skimming. With such cursory attention, understanding is difficult and analysis is impossible.

Reading closely and making annotations must be modeled explicitly and practiced. Sample readings with annotations are often available in textbooks, but students will frequently glance over those without interacting with the text.

Although students may find it laborious and pointless, walking through a text selection paragraph by paragraph to extract meaning can turn out to be illuminating. After reading each paragraph the instructor can ask, “What was the big idea in that paragraph?”, “Can you summarize the paragraph in one short sentence or one word?” At this point students are tempted to point to the topic sentence or thesis statement. Students can be asked to create a sentence of a certain word length or to create a Haiku. Either way they are forced to look for the big ideas.

Once the instructor has walked students through this process using a few paragraphs, students can be given time to practice either individually or in small groups. I have had each group visually map the reading selection on the white board with numbered columns corresponding to the paragraphs. They must identify the big idea with one word or a Haiku. This can also be done with chapters of a novel or acts in a play.

I have created two handouts to accompany this post. One provides directions for using Haiku as a summarizing tool and the other walks through  planning and writing a rhetorical analysis.

A strategy for summarizing difficult reading material using Haiku

helping students plan and write a rhetorical analysis (2)